[U401.Ebook] Ebook Free What Is Life? / Mind and Matter, by Erwin Schrodinger

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• Sales Rank: #2271033 in Books
• Published on: 1967
• Number of items: 1
• Binding: Paperback
• 178 pages

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2 of 2 people found the following review helpful.
A NOBEL-PRIZE WINNING PHYSICIST SUGGESTS, "I AM GOD"
By Steven H Propp
Erwin Rudolf Josef Alexander Schr�dinger (1887-1961) was a Nobel Prize-winning Austrian physicist who is most noted for his contributions to quantum theory.

He begins the "What is Life?" book by stating, "How can the events in space and time which take place within the spatial boundary of a living organism be accounted for by physics and chemistry? The preliminary answer which this little book will endeavor to expound and establish can be summarized as follows: The obvious inability of present-day physics and chemistry to account for such events is no reason at all for doubting that they can be accounted for by those sciences." (Pg. 3-4)

Later, he states his "one general conclusions ... that, I confess, was my only motive for writing this book... living matter, while not eluding the 'laws of physics' as established up to date, is likely to involve 'other laws of physics' hitherto unknown, which, however, once they have been revealed, will form just as integral a part of this science as the former." (Pg. 72-73) But he adds, "we must be prepared to find [living matter] working in a manner that cannot be reduced to the ordinary laws of physics." (Pg. 81) He advises, "We must therefore not be discouraged by the difficulty of interpreting life by the ordinary laws of physics... We must be prepared to find a new type of physical law prevailing in it. Or are we to term it a non-physical, not to say a super-physical, law?" (Pg. 86)

He suggests, "What is the characteristic feature of life? When is a piece of matter said to be alive? When it goes on 'doing something,' moving, exchanging material with its environment, and so forth, and that for a much longer period of than we would expect an inanimate piece of matter to 'keep going' under similar circumstances." (Pg. 74) He adds, "What then is that precious something contained in our food which keeps us from death? That is easily answered... everything that is going on in Nature means an increase of the entropy of the part of the world where it is going on. Thus a living organism continually increases its entropy... and thus tends to approach the dangerous state of maximum entropy, which is death. It can only keep itself ... alive, by continually drawing something from its environment negative entropy... the essential thing in metabolism is that the organism succeeds in freeing itself from all the entropy it cannot help producing while alive." (Pg. 76)

He summarizes, "My body functions as a pure mechanism according to the Laws of Nature.. Yet I know, by incontrovertible direct experience, that I am directing its motions... in which case I feel and take full responsibility for them. The only possible inference from these two facts is, I think, that I... am an person, if any, who controls 'the motion of the atoms' according to the Laws of Nature... it is daring to give to this conclusion the simple wording that it requires. In Christian terminology to say: ‘Hence I am God Almighty' sounds both blasphemous and lunatic... In itself, the insight is not new. the earliest records to my knowledge date back to ... great early Upanishads the recognition ATHMAN = BRAHMAN... Again, the mystics of many centuries ... have described ... the unique experience of his or her life in terms that can be condensed in the phrase... I have become God." (Pg. 92-93)

In the "Mind and Matter" book, he says, "It would seem ... ridiculous, to think that the contemplating, conscious mind that alone reflects the becoming of the world ... should have appeared contingently, associated with a very special biological contraption which in itself quite obviously discharges the task of facilitating certain forms of life in maintaining themselves... forms of life that were late-comers and have been preceded by many others that maintained themselves without that particular contraption (a brain)... And before that happened, should it all have been a performance to empty stalls?... But a world existing for many millions of years without any mind being aware of it, contemplating it, is it anything at all? Has it existed?" (Pg. 146)

He concludes, "No personal god can form part of a world model that has only become accessible at the cost of removing everything personal from it. We know, when God is experienced, this is an event as real as an immediate sense perception or as one's own personality. Like them he must be missing in the space-time picture, I do not find God anywhere in space and time---that is what the honest naturalist tells you. For this he incurs blame from him in whose catechism is written: God is spirit." (Pg. 150)

This is a surprising book, that will perhaps be of most interest not to those studying physics, but those interested in mysticism and religious experience.

0 of 0 people found the following review helpful.
... of some very big questions by one of the greatest minds of the 20th Century
By Brian D'Agostino, Ph.D.
This is a highly readable but profound treatment of some very big questions by one of the greatest minds of the 20th Century. I don't know of anything written in the last 60 years that does a better job with these topics.

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[H672.Ebook] Download PDF An Introduction to the Theory of Aeroelasticity, by Y C Fung

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An Introduction to the Theory of Aeroelasticity, by Y C Fung

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Geared toward advanced undergraduates and graduate students, this outstanding text surveys aeroelastic problems, their historical background, basic physical concepts, and the principles of analysis. It has also proven highly useful to designers and engineers concerned with flutter, structural dynamics, flight loads, and related subjects.

• Sales Rank: #10156647 in Books
• Published on: 2008-10-17
• Format: Bargain Price
• Number of items: 1
• Dimensions: 1.10" h x 5.50" w x 8.30" l,
• Binding: Paperback
• 512 pages

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1 of 1 people found the following review helpful.
Aeroelasticity in a unique and simple way
By Ahmad Osama AlHassan
You will not find a book in Aeroelasticity that deals with it like this one.
Most books that are old present material that is hard to find in other books.
It is good in presenting this subject in rather a simple way, and includes the derivation of most of the equations needed.
The order of the topics in chapters is good as starts from the first thing to know in Aeroelasticity and finishes with more advanced topics.
Disadvantages are that this book goes straight into topic without proper introduction! I mean you need to have a strong background on Aerodynamics and Strength of Materials. Even the few pages in the beginning are not enough in my opinion.
When comparing this one to the other famous reference "Aeroelasticity' by Bisplinghoff, all opinions agree that the latter is better.For me I can't say anything different.

2 of 3 people found the following review helpful.
Excellent -- depending on what you are looking for
By Ismail Hameduddin
Fung's book on aeroelasticity is probably the second classic reference on this topic after Bisplinghoff's work. Although quite old, the book still retains its relevance since the field has not changed dramatically since he wrote this over 40 years ago. Yes, you will not see references to FEA/FEM, programming notes, etc. but the essential theory is very clearly laid out by the author. This is something that is usually lacking in recent texts.

Since aeroelasticity is by its very nature, quite interdisciplinary, any book claiming to deal with the topic will eventually suffer from lack of depth. This is quite obvious from Fung's book but that is not to detract from its value as a very clear and concise exposition of the principles of aeroelasticity.

I highly recommend this book for someone who has a good grasp of undergraduate engineering and would like to explore the fundamentals of aeroelasticity. Other than that, Bisplinghoff's book is a standard reference for this topic. A newer text by Wright & Cooper is more relevant if one is looking for implementation. Lastly, a multiauthor work "A modern course in aeroelasticity" is available that aims towards a more mature audience (graduate students & researchers) by trying to maintain sufficient depth throughout.

0 of 1 people found the following review helpful.
Absolute milestone in aeroelasticity
By Laperna
No comments on this , it is a milestone in aeroelasticity that must be present in the library of the specialists in this field

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[A735.Ebook] Download PDF The Adventures of Huckleberry Finn (Vintage Classics), by Mark Twain

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Huck is a young, naive white boy fleeing from his drunken, dangerous Pap, and Jim is a runaway slave longing to be reunited with his family. Flung together by circumstance, they journey down the Mississippi together on a log raft, each in search of his own definition of freedom. Their daring adventures along the way provide both entertainment and a satirical look at the moral values of the Deep South of the 1800s.

• Sales Rank: #1193515 in eBooks
• Published on: 2010-03-30
• Released on: 2010-04-13
• Format: Kindle eBook

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62 of 63 people found the following review helpful.
Amazing Edition of a Classic Work
By mp
Mark Twain's 1885 novel, "The Adventures of Huckleberry Finn," has had a long history, during which it has been and still is both reviled and celebrated. Essentially the story of the picaresque travels and adventures of a young Missouri boy and his friend Jim, a runaway slave, in 1840's America. Taking cues from books like "Don Quixote" and Jonathan Swift's works, and a fraught relationship to Sir Walter Scott's historical romances and those of his protege, James Fenimore Cooper, Twain constructs a masterful first person narrative, through the eyes of 14 year old Huckleberry and a profound and hilarious satire on American culture.
"Huckleberry Finn" begins in tension - Huckleberry's fortune and wardship with the well-meaning widow Douglas has him in a bind. The widow wants to 'sivilize' him, taking him out of the happy go lucky, easy going lifestyle he loves, while his fortune of six thousand dollars has him living in perpetual anxiety of his father, a violent drunkard whose absence only makes Huck more anxious about his return. When Huck's pap does return, sure enough, Huck is remanded, more or less, to Pap's custody, and kept prisoner in a secluded cabin. Though he is no longer being 'sivilized,' his time with Pap becomes more and more tense and lonely, driving Huck to stage his own death and run away from Pap and from civilization. Early in his escape, on a small island in the Mississippi River, he meets Jim, a slave from his town of St. Petersburg, who has run away, planning to raise money in the north to buy his family out of slavery. Together, Jim and Huck form a friendship that will take them up and down and all around the Mississippi River.
"Huckleberry Finn" deals with a great many social issues, and none more interestingly than with conventional morality. With Huck, he effectively creates an outside position from which to view American culture as he sees it, with all of its pretentions and faults. Huck doesn't put much stock in widow Douglass' or Miss Watson's strictly defined notions of religion or morality - throughout the novel, we see him in constant conflict with himself over the fine line between what is considered right and wrong, and what is accepted as such. Huck's inner negotiations with prayer and morality, good and evil, are at the heart of the novel. His post-Emersonian, proto-Nietzschean manner of dealing with himself and his relationship to society is fascinating and compelling. His relationship with the runaway slave Jim, of course, is also a focal point of the novel - the ways in which Jim and Huck depend on and care for each other is both moving and of course, socially and politically suggestive and significant, especially in the historical context of the novel, both the setting, prior to the Civil War, and its published era, at the tail end of Reconstruction. Those who would be offended by racial epithets in common parlance during this time period would be advised to take historical context into account before railing against the novel's racial politics - if one gets unduly caught up in nitpicking such things, one falls into the trap of the satire, become a target in the process.
As satire or black comedy, "Huckleberry Finn" has at every moment the ability to make us laugh out loud at ourselves and at the situations in the novel - from the fraudulent actions of the King and the Duke, to Tom Sawyer's needlessly elaborate scheme to free Jim from slavery, to well-born cultured families feuding, to all the cross-dressing that goes on in the novel (and there is a lot of it!). Again, though, as black comedy, we may often catch ourselves laughing, then wondering, hey, that isn't very funny - this is the brilliance of Twain's artistic achievement; to make us laugh while looking critically at ourselves. A book that is uniquely American, Twain's humour, wit, and style contribute to give us a look at both Antebellum and post-Reconstruction America through the eyes of innocence and experience, to see how far the nation had come since the days of Washington, and how far it still had (and has) to go.
This 1998 Norton Critical Third edition of "Huckleberry Finn" is truly amazing. It restores the entire text from the manuscript, including among other things, the "Raftsman's episode" and all of the original illustrations. The supplementary materials in this edition are top-shelf also, with excerpts covering the controversy surrounding the novel, from its publication to the present. The critical selections are excellent as well, especially the incisive and yet startlingly personal essays by T.S. Eliot and Toni Morrison. This is probably the best current edition out there of this tremendous, and tremendously complicated American classic.

134 of 145 people found the following review helpful.
Twain at his best!
By Dennis Phillips
Back during my school days this was still not a book that was considered to be politically incorrect and so I was supposed to read it. As was far too often the case, I got by on little more than watching the movie version and never bothered to read this masterpiece. A few months ago I picked up a copy to put in my library for my grandson to use when he got old enough to go to school. Unfortunately this has been classified as a children's book and so I had little intention of reading it when I bought it.

After discussing a book about President Grant and Mark Twain with a friend I decided that I should read this book and I soon found out just how much of an adventure I had been missing. Twain's well deserved reputation as a storyteller is on clear display in this book from cover to cover. The reader is drawn into the lives of the characters to the point of being really disturbed when something bad happens to them. Sure, they steal and they lie but you will love them in spite of everything.

The story basically follows the adventures of young Huckleberry Finn and a runaway slave named Jim. Finn is trying to escape has father and the efforts of the townspeople to civilize him while Jim is trying to escape slavery. More to the point, Jim is trying to escape being sold down the river, which was always a worry for slaves in the upper south.

There is a strong moral point to this book as Huck slowly learns to love Jim as a friend and not think of his skin color. Early on Huck is worried about helping a runaway slave and isn't sure what to do. Having been raised in Missouri, Huck has been taught that helping a slave run away is one of the worst sins imaginable and that African-Americans are pretty much worthless except as slaves. It takes a while for the truth to come to Huck but he finds that he is determined to help his friend get his freedom, no matter what. Huck ends up risking his own life to do just that.

This book is a pure joy to read and I suggest you read it without looking for a political agenda. Just let the story flow and enjoy each word. The dialects used may slow you down a bit at first but they add so much to the flow of the book that they are quite indispensable. This is a wonderful story, full of youthful innocence and backwoods charm. Just one little warning though, once you start reading you won't be able to put this book down.

50 of 52 people found the following review helpful.
The Adventures of Huckleberry Finn:Unabridged and Illustrated
By Harriet A. Sisk
CLASSIC. I wanted a copy before new versions may be "abridged" to remove the "n" word. It's all a part of history at that time and is a classic to keep.

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[E823.Ebook] Free PDF Were She Belongs (Siren Publishing Menage Amour), by Dixie Lynn Dwyer

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[M�nage Amour: Erotic Fantasy M�nage a Quatre Romance, F/M/M/M, Shape-shifter] After being abducted, Lexi was unable to escape and about to be murdered. Growls. Bodies flying. The next thing she knows, she's staring into the eyes of some sexy wolf she met at the club. Her old friend, Sierra, helped save her, along with three very sexy and intimidating Alpha males. Although they are triplets, Lexi soon finds out that they are just as powerful individually as they are together. But she's never really belonged, and all she can give them is danger and pain. Paul, Saber and Andre have found their mate, and they're ready to claim her body and soul. The one problem, Lexi trusts no one. She's lived on the streets, survived on her own, and she's not about to be pampered. They know she's in danger and that she's safest with them. It's going to take some sneaky, dominant sexual tactics to convince Lexi she's where she belongs. ** A Siren Erotic Romance

• Sales Rank: #3307582 in Books
• Published on: 2010-11-02
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .49" w x 5.98" l, .70 pounds
• Binding: Paperback
• 234 pages

Most helpful customer reviews

19 of 21 people found the following review helpful.
Not one but THREE Alpha males - I've died and gone to Heaven!
By AlexJouJou
Lexie's been on the run - and even she doesn't know who she's running from. She's spent most of her life on the streets and she's quick, intelligent, and wary. The last time she saw her best friend was years ago - that is until her boss Jacob introduces her to his cousin Sierra - who just happens to have been Lexie's best friend. The reuinion is not all hugs and kisses though - especially when Paul, Sierra's brother in law, realizes Lexie is not only his mate - but also his 2 brothers' mate. They are triplets! When darkness draws near and Lexie is in danger will her three mates be able to keep her safe WERE SHE BELONGS?

The story here is outstanding - the pacing is great, the characters are full, rich, and sexy. They are alpha's so quite dominant but in a protective way - and it never comes across as heavy handed - well at least only when Lexie enjoyed it *wink*. Lexie is fascinating - given her background you can believe her actions - she's a fighter! And she's not about to just bow down to 3 guys - even if they do make her squirm uncomfortably - at least not at first. I liked all 3 but I canna lie - Saber definitely lit my fire - a wounded man on the inside he, just like Lexie, gradually realizes that to get he has to give and share.

The erotic scenes are hot but not as descriptive as some I've read. They fit nicely in the context of the story and don't take center stage over it. I was enthralled by 3 such great alpha men - and the way they each handled Lexie a bit differently. A great paranormal romance guaranteed to heat you up on a cold winter's night (and if you have A/C and a fan you can enjoy this all year long!)

16 of 18 people found the following review helpful.
2 1/2 stars
By C. Lockwood
After being abducted, Lexi was unable to escape and about to be murdered. Growls. Bodies flying. The next thing she knows, she's staring into the eyes of some sexy wolf she met at the club. Her old friend, Sierra, helped save her, along with three very sexy and intimidating Alpha males. Although they are triplets, Lexi soon finds out that they are just as powerful individually as they are together. But she's never really belonged, and all she can give them is danger and pain. Paul, Saber and Andre have found their mate, and they're ready to claim her body and soul. The one problem, Lexi trusts no one. She's lived on the streets, survived on her own, and she's not about to be pampered. They know she's in danger and that she's safest with them. It's going to take some sneaky, dominant sexual tactics to convince Lexi she's where she belongs

~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~

Be forewarned that this review may contain spoilers. Remember, you were warned. Ready?

I give this story a solid 2 1/2 stars due, mostly, to content rather than execution. The writing, I felt, was good though not extraordinary. I really liked the storyline and felt that it had a lot of room to spawn sequels. Unfortunately I also felt that it WAS a sequel. I had to find the author's website to be sure I wasn't starting in the middle of a series. At times I felt lost in the story as if I were missing information that would have been provided by previous books. This book could have easily been twice as long to allow the author to fully explain certain relationships (Lexie and her best friend Sierra, Lexi and her boss Jacob) as well as pack dynamics (there are HOW many alphas to one pack? Just how subordinate are the women in the pack?). The confusion caused by this really took away from the story.

I must admit that a lot of the time I felt that the author was trying to shove every cool thing she's ever read in a paranormal romance into this book. Tragic past for the heroine? Check. Every wolf is an alpha? Check. Fey warrior? Check. Tragic heroine suddenly discovers she's a magical fey/wolf princess? Check. A lot of them felt like very convenient plot devices.

My last complaint actually has to do with the characters themselves. Specifically Lexi and Saber. To be blunt, they both got on my nerves. I found myself irritated with how weepy Lexi turned out to be. Perhaps I'm picky, but I would expect a woman who has literally grown up on the streets, put herself through college, and became head of security at a popular club to be a bit tougher. I was also amazed at how quickly she accepted her place in fey society. No recriminations at all about being left to fend for herself while still a child. Personally, I'd be a bit angry about that. There was talk of Lexi being an independent woman, but I never saw it.

Saber went to the other end of the spectrum. I enjoy a good alpha male, but I found Saber to be a bully. And not in the good way. He wants his way just to get his way. The story (and Saber's character) would have benefitted from more insight into his thought process.

Overall, it was an okay story, but nothing beyond that. I DO, however, believe that this author has growth potential. As I said, the storyline was good and the writing nice. I'll watch for future books, but won't rush to get them.

11 of 13 people found the following review helpful.
Just awful!
By L. Cialini
Holy Crap, this book was awful. It's like the editor gave the author a thesaurus and said "Here, go forth and synonymize this book to death!" Add that to sentences like "They were were." and grade school grammar and sentences. It also had what I like to call 'knowledge vomit' rather than have the heroine learn everything in a normal manner they had her go into a trance and 'when she woke up, she would know all.' Following the trance she started to speak awkwardly like 'Mates! come to me, I have much to share with you.' When before it was things like 'Guys, come here, I need to talk to you!'

God this was awful! I didn't finish it, and WILL be returning it.

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The Solutions Manual provides answers to every third problem. From best-selling author Donald McQuarrie comes his newest text, Mathematical Methods for Scientists and Engineers. Intended for upper-level undergraduate and graduate courses in chemistry, physics, maths and engineering, this book is essential reading for all advanced students in the physical sciences. Comprised of more than 2000 problems and 700 worked examples that detail every single step, this text is exceptionally well adapted for self study as well as for course use. Famous for his clear writing, careful pedagogy and challenging problems and examples, McQuarrie has crafted yet another tour de force.

• Sales Rank: #308862 in Books
• Published on: 2004-10-30
• Original language: English
• Number of items: 1
• Dimensions: 10.98" h x .67" w x 8.48" l, 1.69 pounds
• Binding: Paperback
• 264 pages

About the Author
Carole McQuarrie, wife of Donald McQuarrie who is Professor Emeritus from the Department of Chemistry at the University of California, Davis. From his classic text on Statistical Mechanics to his recent quantum-first tour de force on Physical Chemistry, McQuarrie's best selling textbooks are highly acclaimed by the chemistry community.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Reasonably good solution manual
By InsouciantStudent
I'd recommend getting this for anyone who's taking a class with the associated textbook. It's often difficult to understand what to do on assigned problems, since the text itself is a bit obtuse. Subjects that constitute whole mathematical classes are treated in one or two chapters, so if you don't have extensive previous exposure, you'll likely need this. There are occasional typos, but otherwise it'll make your life easier.

0 of 0 people found the following review helpful.
Useful
By goi42
This is a very helpful companion to Mathematical Methods. I was disappointed, however, that it did not include solutions to all of the problems, but only a fraction. This is generally enough to provide sufficient help with the problems, but I felt mildly duped.
The solutions themselves are occasionally not as useful as they could be as sometimes the author does not take sufficient time to make her method or reasoning comprehensible. Usually, however, there is sufficient explanation to be helpful.
Overall, I recommend this book as a handy companion to the text.

0 of 0 people found the following review helpful.
not all solutions
By Rose Lacy
only solves every third problem and solutions sometimes skip steps but I'd be lost without it so I'm glad I bought it

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[V450.Ebook] Get Free Ebook Watching the Watchmen, by Dave Gibbons

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Fine cloth copy in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8 - 9 tall; 0 pages; Physical description: 1 v. (unpaged) : chiefly ill. (some col.) ; 31 cm. Summary: Acclaimed as one of Time Magazine's 100 Best Novels, Watchmen is widely considered to be the greatest graphic novel of all time. In Watching The Watchmen, artist Dave Gibbons gives his own account of the genesis of Watchmen, opening his archives to reveal excised pages, early versions of the script original character designs, page thumbnails, sketches and much more, including posters covers and rare portfolio art.Featuring the breathtaking design of Chip Kidd and Mike Essl, Watching The Watchmen is both a major art book in its own right, and the definitive companion to the graphic novel that changed an industry. Subjects: Moore, Alan, (1953- ) -- Watchmen. Comic books, strips, etc. -- History and criticism.

• Sales Rank: #736434 in Books
• Brand: Collector's Shangri-La
• Published on: 2008-10-21
• Released on: 2008-10-21
• Original language: English
• Number of items: 1
• Dimensions: 12.20" h x 1.10" w x 9.30" l, 3.90 pounds
• Binding: Hardcover
• 256 pages

Features

• Authenticity Backed by a Lifetime Moneyback Guarantee
• Universal Autograph Collectors Club Registered Dealer Member #RD310
• Board of Trustees, Manuscript Society

Amazon.com Review
Book Description
Enjoy the ultimate companion to a comics masterpiece, as award-winning artist Dave Gibbons gives his own account of the genesis of WATCHMEN in this dust-jacketed hardback volume, opening his vast personal archives to reveal never-published pages, original character designs, page thumbnails, sketches and much more, including posters, covers and rare portfolio art. Featuring the breathtaking design of Chip Kidd and Mike Essl, WATCHING THE WATCHMEN is both a major art book in its own right, and the definitive companion to the graphic novel that changed an industry.

Voted among Time magazine's 100 Best Novels from 1923 to the present, a perennial bestseller over the past twenty years and widely considered the greatest graphic novel of all time, WATCHMEN is a gripping, labyrinthine piece of comic art, which has earned an acclaimed place in modern literary history.

"I've had a great time, re-visiting the very beginnings of Watchmen and unearthing material I haven't set eyes on for many years. As a fan myself, this is the kind of stuff I eat up and I'm sure the many devotees of the graphic novel will do the same!" says Gibbons.

� DC Comics 2008. All Rights Reserved.

A Q&A with Dave Gibbons on the Making of Watchmen

Question: You were tasked with drawing new illustrations of key shots from the new Watchmen film. Was it a difficult challenge to re-imagine your work in this movie format?

Dave Gibbons: I don’t think that I actually did many key shots from the film. I had to actually imagine them rather than exactly recreate what was going to be in the movie. But as far as the drawings I did for the licensing purposes, accuracy was the real key so that they looked exactly like the movie. Whereas doing the graphic novel was creating stuff afresh and being very creative, this was more the case of interpreting something that already existed. So it was rather more a commercial art job than a creative thing.

Q: How many scenes from the original graphic novel did you redraw in the new "movie" format?

DG: I kind of did them piecemeal, these licensing drawings. I did do a section of storyboarding for Zack Snyder. There is a part of the movie that isn’t in the graphic novel and he wanted to see how I would have drawn it, if it had been in the graphic novel. So I redid the storyboards as three pages of comic on the nine-panel grid, also getting it coloured by John Higgins so it looked authentic. But I think there were probably only 3 or 4 scenes that I drew, which were from the movie.

Q: What was your working method for producing these new illustrations from the film? And how has it changed from when you originally illustrated Watchmen?

DG: When you’re producing things from existing material, you have to look at and assemble the references... you know, keep looking backwards and forwards to make sure what you’re drawing is accurate to what’s in the photos. I did have lots of photos from the movie and in some cases I had more or less the illustration I was going to do in photo form, which made it a lot easier. On others I had to construct it from various references: really just the usual illustrator’s job of drawing something to reference. And on the original illustrations of Watchmen, I was free to come up with exactly the angles and exactly the costumes and everything that I wanted to. When you’ve designed a costume and drawn it a few times, you actually internalize it and you find you can draw it without having to refer to reference at all. So in some ways it’s more creative and in some ways it’s easier!

Q: In Watchmen: The Art of the Film, there are concept designs by other artists of their visions of your iconic characters. What do you think of their versions and did you offer any guidance while they were working on these?

DG: It’s always really interesting to see versions of your characters drawn by other artists. You tend to see things in them that you hadn’t noticed before. So I really enjoyed looking at those. I certainly didn’t offer them any guidance. The purpose of getting those kinds of drawings done is to get a fresh perspective on what exists. I noticed actually that they really stuck more closely to my original designs than those, but I really enjoyed seeing them.

Q: Watchmen: Portraits is Clay Enos’s stunning black and white collection of photos of each character from the Watchmen movie. What was it like looking through this book at all the characters you had conceived years ago now being brought to life by actors?

DG: It’s rather interesting; you know if you look at the Watching the Watchmen book you can see these characters as fairly sketchy rough conceptual versions. Then when you look at Clay’s book you can actually see them right down to counting the number of pores on the skin on the end of their noses! It’s incredible high focus! It’s like zooming in through space and time to look at the surface of some moon of Saturn or something. I thoroughly enjoyed his book... it had a real artistic quality to it that was really so good. And of course to see these actors who so much are the embodiment of what I drew, that it’s a tremendous thrill to see them made flesh!

Q: Watchmen: The Film Companion features some stills from the animated version of The Black Freighter. What do you think of the look and design of this animated feature?

DG: It looks really interesting! Although I drew my version in the comic book in a kind of horror-comic style, these are very much in a savage manga style. I think they work really well... they’ve got the kind of manic intensity, which I think that work should have and I really can’t wait to see the whole feature. I’ve seen the trailer for it and that looks great and again they’ve used a lot of the compositions that I came up with but just translated them to this kind of very modern drawn animation.

Q: How much time did you spend on the set of Watchmen? Was it a surreal experience to see your work recreated like this?

DG: I was on the set of Watchmen for a couple of days and it really was surreal to walk through a door and then suddenly be in the presence of all these people in living breathing flesh! I was there for what you would call the Crimebusters meeting where they were all there in costume in the same room, which was incredible. They had obviously planned that so I would get to see everyone. It was surreal though quite a wonderful experience to see it come to life.

About the Author
Dave Gibbons is best known for his iconic artwork on the groundbreaking graphic novel Watchmen. He has also written and/or drawn many other comics titles, including Superman, Batman, Green Lantern, Doctor Who and his semi-autobiographical graphic novel The Originals.

Chip Kidd has been called "the world's best book-jacket designer" and "the closest thing to a rock star" in graphic design today. His iconic designs include the cover for Michael Crichton's Jurassic Park. He is also a writer, musician and avid comics fan.

Most helpful customer reviews

49 of 55 people found the following review helpful.
It's a collectible book...but not much more
By Silly Goose
I don't feel the need to praise Alan Moore's and Dave Gibbon's "WATCHMEN" anymore than it has been praised already, and I do feel that a supplemental book to look back on the original material was a great idea, but for the most part "WATCHING THE WATCHMEN" just catalogues some of the original sketches and storyboard layouts. Without question, the quality of the printing is up to snuff, and the design of the book is flawless...the problem is there just isn't much content. The book would do better if there was more writing and reflection on the part of Gibbons (and Moore, of course), because most readers are probably more curious as to the ideas and sensibility that helped shape the original "WATCHMEN." There is not much in that department - of course one can just as easily look all of that up on Wikipedia at this point.

But overall I have no regrets in buying this book. It is a nice collector's item for those who have an affinity for the original "WATCHMEN" - just don't expect it to be much more than that.

20 of 21 people found the following review helpful.
A Wonderful Glimpse into the Process
By Robert Greenberger
Never before had I seen that much thought and effort go into a project. It was January 1985 and I was representing DC Comics to the British talent. Alan Moore, Dave Gibbons and I spent a delightful afternoon reviewing the project and Dave showed me sketches for the characters, the covers and even a marketing campaign that was as sophisticated as it was smart. It's a terrific that so much of this material was saved and is finally seeing the light of day, so Dave's wonderful efforts can be celebrated. The book is a visual treat and a terrific companion to the graphic novel.

13 of 14 people found the following review helpful.
Great book, but....
By K. Stone
HARD TO READ. My eyes were bleeding by the end of it. Purple and green type on black backgrounds does not a pleasurable reading experience make. I was surprised at how badly the content other than the phenomenal artwork was presented...THAT is my ONLY grip and what keeps it from being a five star book. If it were not for the content in fact it would be a 2.3 star book, but Sigh...Yes it does have that content, which is AMAZING. The fact that Dave Gibbons has saved some of these amazing artifacts of what now is a cultural touchstone and will be even MORE so when the movie come out, its pretty special.

Some highlights.

1. The sketches, which show HOW Dave and Alan came about creating the characters.

2. Actual inkblots used to inspire Rorshach

3. Copies of the actual typewritten on onion-skin manuscript from Alan Moore.

This book is like I said AMAZING, But it doesn't tell the whole story, just part of it, maybe because some was told in the Absolute Watchmen edition published a few years back. This is a companion book that is a must have for either of those editions. If you have Absolute Watchmen, get this book. If you have this book only, go out and get Absolute Watchmen.

I know I will find myself looking at this book as I do the other editions of the Watchmen I have.

Watchmen is and will be the Citizen Kane of comic books.

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No text better prepares you for evaluating, choosing, and sharing quality children’s literature than Through the Eyes of a Child: An Introduction to Children’s Literature. This streamlined eighth edition continues to provide a visually stunning, theoretically sound, comprehensive overview of children’s literature. Sharpened focus on contemporary issues in the field, deepened coverage of biography and informational books, and newly integrated technology give this new edition added relevance in the changing field. In addition to the text's contemporary and�valuable information on literature for younger readers, some of the brightest stars of children’s literature lend their talents to the new edition, providing insight into the craft and addressing the changing needs of middle grades readers.

• Sales Rank: #29716 in Books
• Brand: Norton, Donna E./ Norton, Saundra E.
• Published on: 2010-03-19
• Original language: English
• Number of items: 1
• Dimensions: 11.13" h x 1.15" w x 8.87" l, 3.30 pounds
• Binding: Hardcover
• 640 pages

Features

• Used Book in Good Condition

Review

In comparison to the children's literature books on the market, this book rises above the others in every aspect! This is a remarkable book.

Nancy Thornberry, Texas A&M University

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This book provides a great reference and resource for teachers and those who will be teaching.

Daniel Holm, Indiana Univeristy, South Bend

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The teaching recommendations and literature suggestions are superb!

Ruth A. Oswald, University of Akron

From the Publisher
The premier text in the field in an exciting new edition! This text's trademark enthusiastic style, attention to detail, and two-part genre chapters have won it a large and devoted following. Presenting material in accessible, interesting language students respond to, its unique format allows instructors to teach all content, all methods, or any combination of the two that is appropriate for their students. Material focuses on current, proven approaches to teaching such as the literature-based reading approach and the use of literature to encourage children's responses to reading. This text's visual appeal is guaranteed by the use of a wealth of illustrations from favorite full-color children's books in their original colors...and by a fresh, interesting layout featuring the art of real children that keeps students reading and enjoying the process of learning about children's books first page to last.

From the Back Cover

No text better prepares you for evaluating, choosing, and sharing quality children’s literature than Through the Eyes of a Child: An Introduction to Children’s Literature. This streamlined eighth edition continues to provide a visually stunning, theoretically sound, comprehensive overview of children’s literature. Sharpened focus on contemporary issues in the field, deepened coverage of biography and informational books, and newly integrated technology give this new edition added relevance in the changing marketplace. In addition, some of the brightest stars of children’s literature lend their talents to the new edition, providing insight into the craft and addressing the changing needs of middle grades readers.

�

Evaluating and Sharing

This text will prepare you to appreciate, evaluate, and share children’s literature by examining the most important elements of the literature and by addressing the needs and interests of its readers.

• A full chapter, Chapter 3, is devoted to evaluating and choosing literature for children.
• Evaluation Criteria boxes in every genre chapter outline exactly what you need to look for in quality literature.
• Teaching With pages ending every genre chapter share classroom-tested suggestions for using literature in your teaching.

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Voices from the Field

The hottest topic in children’s literature, adolescent literature can be a complex issue. The eighth edition tackles it head on, turning to the pros to find out how to evaluate literature written for readers in grades 4 through 8, and learning how to compel this group of readers at risk of losing interest in reading.

• New! Jack Gantos discusses the teacher’s role in keeping 4th through 8th graders interested in reading.
• New! Nancy Farmer tells us how she works to engage readers in the middle grades.
• New! Naomi Shihab Nye talks about the truth in poetry that engages young adolescent readers.
• New! Joseph Bruchac tells us how we can mentor middle graders into becoming lifelong readers.

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Through the Eyes of an Author, Through the Eyes of a Child

This two part feature begins with exclusive interviews with some of the creative geniuses that makes children’s literature fascinating, then goes on to share a child’s response to their work.

• New! Mo Willems tells us how he generates ideas, then 5-year-old Ruby shares her feelings about Willems’s Leonardo the Terrible Monster.
• New! Susan Guevarra tells us what inspires her art and 9-year-old Hayden responds to her artwork in Chato and the Party Animals.
• New! Robert Burleigh talks about the poetry of writing children’s books, and 4-year-old Eva tells us her favorite things about his new picture book Clang! Clang! Beep! Beep! Listen to the City.
• New! Joan Bauer talks about inspiration and inspiring others, and 13-year-old Julia responds to Hope Was Here.

MyEducationKit

Integrated into every chapter, this robust online resource offers rich, authentic, interactive opportunities to apply and practice what you learn in the text.

• Assignments and Activities use video and the Database of Children’s Literature to provide you with opportunities to hone your skills for evaluating and sharing quality literature
• Study Plan helps you assess mastery of chapter content through multiple choice quizzes that explain why responses to particular items are correct or incorrect.
• Conversations provide you with podcasts and interviews with acclaimed authors and illustrators sharing secrets of their trade.

• To receive access to MyEducationKit with this book, please purchase ISBN 0137074018.

Most helpful customer reviews

30 of 31 people found the following review helpful.
Hard To Read Wealth of Children's Litature Course
By Reginald Williams
If you plan to teach a children's literature course, then this book possesses nearly all of the information, history, and important milestones that you need...if you can get by the stilted language.

It reads well for someone like me who studies/collects children's literature as a personal hobby; however, for the average reader? Get ready for a painful struggle.

I would suggest using it in conjunction with two other books: Jacob & Tunnell's more classroom-focused CHILDREN'S LITERATURE, BRIEFLY and Rebecca Luken's more historcal/applicable balanced CRITICAL HANDBOOK OF CHILDREN'S LITERATURE.

25 of 28 people found the following review helpful.
Soul Sapping Academia
By Naught
It is hard to imagine a book that could take the wonder of children's literature and more thoroughly destroy it. The cover illustration makes you feel momentarily safe. Then the texts begins and hope is slowly and mercilessly trodden into the dust. Take this for example:

"Another approach to the study of art is recommended by Stephen F. Eisenman and Thomas Crow, who use art criticism that focuses on the relationship between art and ideology, the economic and social conditions expressed in the art (a Marxist approach to criticism)."

Now pause briefly and consider this is a book about *children's* literature. Let us continue to some questions that should be used in this analysis:

"What role does class play in the work of both the artist and the viewer?

In what way might the artwork serve as propaganda?

What is the dominant ideology that the artist challenged?"

I'm now preparing to write a whithering review of the oppression inherent in the "Cat and the Hat".

All of this wouldn't be so bad if books were actually presented. Instead we get lots of small type with a reference to a random children's title in every other paragraph and the impression that children's literature is either dominated by the enlightened academic class or club wielding classist Neanderthals. You know, the kind that make you read books like "Through the Eyes of a Child".

DO NOT USE THIS IN YOUR CLASS. You will be torturing your students in a manner not allowed by the constitution. Hopefully, that at least, will carry some weight.

11 of 13 people found the following review helpful.
Worest textbook I have ever read.
By L. Conson
I usually like to read my textbooks cover to cover, but for the first time I find a text book unbearable to read. My physics textbooks are more entertaining than this book. The author simply writes thousands of three sentence summaries of children's books and places them in an obtuse sections. When the author is not doing these three sentence summaries she is filling up the book with citing any little idea some random person had. For the love of god just use a footnote and paraphrase so it is at least half readable.

See all 53 customer reviews...

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